Eric Hill
A trio of companies — Barrington Stage Company, Great Barrington Public Theater, and, to a lesser extent, Berkshire Theater Festival — draw on the stage’s power to address our current political emergencies.
Edward Albee’s provocative theatrical exercise is far trickier to realize onstage than it is to appreciate on paper.
Taylor Mac and Pirandello share the same goal: reveal the deadening vacuity at the heart of bourgeois society and the male ego.
To see a production of this quality in a small theater was a privilege.
Harold Pinter’s language can be enigmatic and deliberately bizarre, but it suggests arcs of passion and desire.
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