Elisabeth Subrin

Film Review: “A Woman, a Part” — Leaving the Business

January 23, 2018
Posted in , ,

Credit director Elisabeth Subrin for being resourceful in incorporating her cast’s real-life situations into her storytelling.

Recent Posts

Music Feature: “Which Side? A Protest Music Teach-out” — How Music Meets the Moment
February 22, 2026
Arts Appreciation: Tom Noonan — Remembering the Unforgettable
February 21, 2026
Opera Album Review: “Judita” — A Stirring Modern Croatian Opera of Faith, Siege, and Beheading
February 21, 2026
Book Review: Steven Underwood on the New Black Digital Renaissance — and Who Profits From It
February 21, 2026
Theater Review: “We Had a World” — Joshua Harmon’s Family Saga Revels in Wit and Wounds
February 20, 2026

Popular Posts

Theater Review: The Broadway Revival of “Sunset Boulevard” Assaults the Senses
November 9, 2024
Film Review: “Marty Supreme” — A Thrilling, Empty Trip Through Ego and Excess
December 24, 2025
Theater Review: “John Proctor Is the Villain ” — Critiquing a Classic
March 6, 2024
Rock Concert Review: Neil Young and the Chrome Hearts — Still Restless After All These Years
August 23, 2025
Film Review: Del Toro’s “Frankenstein” — Creature Comfortless
October 26, 2025

Categories

Archives

Recent Comments