El Salvador

Arts Commentary: These Goose Steps Don’t Lie — Shakira in El Salvador and the “New Security” Aesthetic

March 13, 2026
Posted in , ,

The artist is a glitzy ribbon that ties together incompatible images—the mega-prison and the megastar.

Recent Posts

Book Review: “Rothko in Florence” — Against the Solace of Transcendence
August 10, 2026
Film Review: “Bernstein’s Wall” — A Vivid Portrait of the Artist as Activist
August 9, 2026
Film Festival Reviews: “Scary Movies XIV” Finds Horror in Bodies, Landscapes, and Ecological Ruin
August 9, 2026
Film Review: “Ice Cream Man” Melts Down in a Pool of Blood
August 9, 2026
Musician Interview: Clinton Fearon on Reggae, Resilience, and the Songs That Endure
August 8, 2026

Popular Posts

Film Review: “Project Hail Mary” — The Sweet Smell of Science Fiction Wonder
March 18, 2026
Film Review: “Obsession” — The Horror of Dating for a New Generation
May 8, 2026
Theater Review: The Broadway Revival of “Sunset Boulevard” Assaults the Senses
November 9, 2024
Film Review: “EPiC: Elvis Presley in Concert” – The King’s Still the Thing
February 27, 2026
Film Review: “Marty Supreme” — A Thrilling, Empty Trip Through Ego and Excess
December 24, 2025

Categories

Archives

Recent Comments