Duncan Macmillan

Arts Commentary: Containing Multitudes — Five Shows Explore the Intersections of Identity and Performance

March 16, 2022
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In dealing with the turmoil of ‘real’ life, the art of illusion found in cinemas, theaters, and museums will help us regain a sense of who we are as communal beings.

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Theater Review: “People, Places & Things” — Grappling with Addiction

February 21, 2022
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People, Places & Things memorably tackles the insidiousness of addiction.

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Theater Review: “Every Brilliant Thing” — The Weight of the World

March 12, 2018
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Adrianne Krstansky, a marvelous actress, understandably exhibits signs of the strain of having to carry the entire production on her shoulders.

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Theater Review: “1984” — It’s Later Than You Think

February 24, 2016
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1984‘s theatrical vision of authoritarianism in action is not for the faint of heart.

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Theater Review: “Every Brilliant Thing” — Scrambles the Genres, Beautifully

December 23, 2014
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Every Brilliant thing is evidence, which we may need, that life matters, and that theatre matters.

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Theater Review: “Lungs” — The Protocol of a Bittersweet Romance

February 20, 2013
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Presence is the sense that the actors live in the here and now, every minute, every second they are on stage. And Liz Hayes and Nael Nacer do that in the New Rep production of Lungs.

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