Vanya and Sonia and Masha and Spike goes on about a half hour too long, but the quality of the acting overcomes the longueurs.
Dee Nelson
Theater Review: “I Was Most Alive With You” — Ambition is Not Enough
The effort to merge Deaf culture with the Book of Job becomes too much a burden for Craig Lucas’s family melodrama to bear.
Fuse Theater Recommendation: Tennessee Williams’ Original Acts Staged with Aplomb
In the perceptive hands of director Joann Green Breuer, the combination of scripts (stretching from the 1940’s to the 1970’s) proffers a compelling meditation on Tennessee Williams’ exploration of women and desire, as well as some surprising spins on his classic plays.