David Lynch
It is impossible to think that anyone could have been exposed to David Lynch’s work — its generous vision, so far-reaching in its scope, so recognizably rooted in the modern human condition — and not come away changed, haunted, and awed.
For David Lynch, “Lost Highway” is a transitional film of sorts, a limbo-like zone between the innocence redeemed in “Blue Velvet” and the innocence corrupted in “Mulholland Drive”.
Without “The Wizard of Oz,” it’s entirely possible that the David Lynch we know and love wouldn’t exist.
“Lynch/Oz” roams from The Yellow Brick Road to “Mulholland Drive”.
David Lynch’s Inland Empire is a provocative challenge to filmmaking as a medium of visual storytelling that’s largely gone unmatched in the sixteen years since its initial release.
After rewatching What Did Jack Do? a few times, I still don’t really know what the hell I saw. But I decided that I don’t care, because I kept laughing my ass off anyway.
Director David Lynch, “The Czar of the Bizarre,” hasn’t been working on a new, full-length film, but he’s still been busy delivering on his artistic promise to produce that which is Lynchian.
Arts Remembrance: The Voice of Love — On David Lynch’s Empathy
For all the accusations David Lynch faced over the supposed emotional and ironic detachment of work, his films are wellsprings of love for their subjects.
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