David Lynch
It is impossible to think that anyone could have been exposed to David Lynch’s work — its generous vision, so far-reaching in its scope, so recognizably rooted in the modern human condition — and not come away changed, haunted, and awed.
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For David Lynch, “Lost Highway” is a transitional film of sorts, a limbo-like zone between the innocence redeemed in “Blue Velvet” and the innocence corrupted in “Mulholland Drive”.
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Without “The Wizard of Oz,” it’s entirely possible that the David Lynch we know and love wouldn’t exist.
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“Lynch/Oz” roams from The Yellow Brick Road to “Mulholland Drive”.
Read More David Lynch’s Inland Empire is a provocative challenge to filmmaking as a medium of visual storytelling that’s largely gone unmatched in the sixteen years since its initial release.
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After rewatching What Did Jack Do? a few times, I still don’t really know what the hell I saw. But I decided that I don’t care, because I kept laughing my ass off anyway.
Read MoreDirector David Lynch, “The Czar of the Bizarre,” hasn’t been working on a new, full-length film, but he’s still been busy delivering on his artistic promise to produce that which is Lynchian.
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Arts Remembrance: The Voice of Love — On David Lynch’s Empathy
For all the accusations David Lynch faced over the supposed emotional and ironic detachment of work, his films are wellsprings of love for their subjects.
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