Daša Drndić
As fiction, “Trieste” is almost entirely a dense tapestry of thinking, remembering, agonizing and raging.
Read More“There were times when I felt as if I were perpetually stuck, like in that film, ‘Groundhog Day,’ in the spring of 1992 just as Bosnia was careening into conflict. At one point I went to Sarajevo to visit friends and was relieved, indeed surprised, to find that while I had been re-living the war over and over, the city was gradually rebuilding and leaving the war behind.”
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