Chameleon Arts Ensemble
Navigating the clash between tradition and experimentation — they are often two vastly different artistic worlds — requires bold programming.
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Two Boston-area chamber music ensembles recently ended their seasons. Each embraced the present in its own distinctive way.
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Chamber music under Shakespeare’s spell is responsible for one of the high points of the Chameleon Arts Ensemble’s current season.
Read MoreIt doesn’t get much better for father and sons than when these virtuosos give their superb all for the Bach clan..
Read MoreHad they not had interesting and flourishing careers already in place, Elizabeth Schumann and Gloria Chien could give many full-time piano duos a run for their money.
Read MoreChameleon Arts Ensemble’s rather lengthy program was like a huge feast, ending with the sumptuous Saint-Saëns’ Sonata No. 1 in d minor.
Read MoreThe last Chameleon Arts Ensemble performance of this season, “mystic moons and dream music,” promised much, with three famed masterpieces by Debussy, Stravinsky, and Schoenberg.
Read MoreChameleon Arts Ensemble’s program, “into unison with romantic spirit,” contained more rarities than many chamber music groups perform in a season.
Read MoreThis month I am simply listing concerts I expect will be great. My pick of the month is the Boston debut of a new Flute, Viola, and Harp trio, starring instrumental superstars Marina Piccinini, Kim Kashkashian, and Sivan Magen.
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Arts Commentary: From the Editor’s Desk — By Popular Demand