Celebrity-Series
Playing side-by-side on two different pianos facing in opposite directions on the Symphony Hall stage, Vikingur Ólafsson and Yuja Wang were as complementary, in a flavorsome way, as lemon and chocolate.
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The whole effort culminated in the finest orchestral performance these ears have heard in Boston since, well, the last time the Berliner Philharmoniker was here.
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“Modern dance is not a secret club. Yes, we are presenting masterpieces by a visionary 20th century artist, but we are communicating that through the greatest dancers today, and showing how that work continues to evolve.”
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Once again, here was the shock in Cécile McLorin Savant’s subversive conceptual daring.
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It is always a thrill to be in the audience when the legendary American soprano Renée Fleming performs.
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Hélène Grimaud’s performances of Brahms, Busoni, and Beethoven drew on the strengths of her boldly imaginative powers, which have only deepened over the past two decades.
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More proof that, with pianist Igor Levit, Beethoven had found new interpreter, not only worthy, but important.
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The South Korean pianist possesses technique to burn. His tone is pearly and deep, capable of both haunting distance and grandeur.
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Víkingur Ólafsson’s bold keyboard presence gave us a composer pressing against the conventions of his time while absorbing everything his ears took in.
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The Just and the Blind sends a needed and powerful message — it is 2022, we need to wake up!
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