Cate Blanchett
Jim Jarmusch’s films resist cliches and conventional dramatic formulas — understatement is the rule.
“Father Mother Sister Brother” invites you into a space of present-ness where you need to slow down and re-set your metabolism. It invites you to tune out all the noise and sit with the silences between people. A daring ask in a digital world where everyone’s glued to their screens the better to pick up the noise.
Few other films this year will match the absurd satiric heights of director Guy Maddin’s “Rumours”.
Tar is about a major artist with an outsize ego who ignores at her peril the seismic shifts in the culture.
The knee-jerk, hateful reviews of Don’t Look Up possess comments so outsized, and so beside the point, that they bear a resemblance to the oblivious thinking of the movie’s anti-science ostriches.
Mrs. America is well written and beautifully acted (generally), but its real power stems less from its entertainment value than in how it reveals how little has changed for women since the ’70s.
What carries Blue Jasmine over the moon is the breathtaking, Oscar-worthy performance of Cate Blanchett, whose tortured Park Avenue socialite on the skids is among the most stunning performances by an actress in years.
While there are some holes in “Hanna”, director Joe Wright doesn’t let them interrupt the overall enjoyable experience of the film. Known for period movies where he dotes on scenic landscapes, he takes this opportunity to prove himself a thoroughly modern director here. Hanna. Directed by Joe Wright. The cast includes Cate Blanchett, Saoirse Ronan,…
Film Commentary: Blink a Bright Red and Green — “Carol’’’s Holiday Charm
A guide to the symbolic color odyssey that will keep you on your toes if you choose to see Carol more than once (and I’m thinking you will).
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