Bryan Cranston
A surprisingly heartfelt reboot that revives the show’s chaotic charm, even if some of the family sparks are missing.
Trumbo is content to be a potted history lesson rather than a thought-provoking work of art.
Over the past five years of Breaking Bad, the chemistry of fate has run its course.
Pulitzer prize-winning dramatist Robert Schenkkan is chained to a dreary, fact-driven approach in “All the Way,” tossing in bits and pieces of “what if” for unconvincing dramatic effect.
Arts Commentary: The Boston Symphony’s New Humanities Blueprint Makes Sense