Broadway
“Arts Fuse” theater critic Christopher Caggiano, among others, found that the new Broadway musical “Water for Elephants” “has very little going for it.” Let’s agree to disagree
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A Stephen Sondheim flop returns in triumph, while his final show tantalizes with what could have been.
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A.R.T Artistic Director Diane Paulus and Jeffrey L. Page are at the helm of this well-meaning but irritating revival.
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Two autobiographies by women who had some experience in legitimate theater, but they each gave their strongest allegiance to dance, specifically one choreographer.
Read MoreThe $3 million American Repertory Theater version of Finding Neverland remains a work in progress, a “tryout” as it has been dubbed, and it feels just like that.
Read MoreAlthough I was disappointed in this Manhattan Theatre Club production, I am, however, very glad to have seen “Wit” — it is a contemporary classic.
Read MoreAudra McDonald is so popular on stage, in concert, and on television that she has become, to many, a one-name goddess like Bette, Judy, and Barbra. Judging from her recent star turn in the American Repertory Theater’s production of “Porgy and Bess” and this brilliant concert, she can give the other One-Named Ones a run for their money.
Read Moreby Bill Marx A recent report from the Boston Foundation helpfully advises that if a small arts group’s vision “either dissipated or lost its resonance with its audience or supporters” the troupe should either die quietly or merge with other struggling companies, apparently so they can vanish in bulk more efficiently. But what about larger…
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Stage Commentary: Making Boston Theater Magical Again?
Diverting the resources of Boston’s regional theaters into the casino of Broadway undercuts the ideals that launched the regional theater movement.
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