BMOP

CD Reviews: BMOP plays Babbitt and Antheil (BMOP/Sound), and Chris Wild’s Abhanden (Navona Records)

April 11, 2014
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Snappy new recordings of the music of Milton Babbitt and George Antheil from the Boston Modern Orchestra Project while cellist Christ Wild’s disc offers a fascinating journey through some richly diverse musical soundscapes.

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Classical CD Reviews: A BMOP/Sound Round-up — Andy Vores, Arthur Berger, and Matthew Rosenblum

December 21, 2013
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The Boston Modern Orchestra Project is in the habit of making convincing arguments for just about everything it plays and its performers do so again in these three CD releases featuring music by composers with a New England connection.

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Classical CD Reviews: Michael Gandolfi’s From the Institutes of Groove and Jacob Druckman’s Lamia (BMOP Sound)

September 25, 2013
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Gil Rose and the Boston Modern Orchestra Project (BMOP) have been on something of a recording tear of late.

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CD Reviews — “Martin Boykan: Orchestral Works” and “Reza Vali: Toward That Endless Plain” (BMOP Sound)

May 29, 2013
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Two new albums from BMOP Sound reflect the considerable artistry and vision of Gil Rose and the Boston Modern Orchestra Project.

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Concert Review: Boston Modern Orchestra Project/Gil Rose at Jordan Hall

May 21, 2012
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Ultimately, there’s a “look at my technique” quality to composer Lewis Spratlan’s writing in this piece that doesn’t match the musical content and that seems to be striving to be all things to all listeners.

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Classical Music Review: BMOP Revitalizes the Concept of a Concerto Concert

January 29, 2012
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Though there were differences in quality between the compositions in the BMOP concert, all of the pieces fulfilled the primary requirement of a concerto: they showed off the capabilities of the solo instrument in question, often memorably so.

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