Nancy Dalberg’s string quartets are worth getting to know, Wynton Marsalis’s violin concerto receives an electrifying performance, and Osmo Vänskä and the Minnesota Orchestra continue to churn out a less than necessary Mahler cycle.
Bis
Classical CD Reviews: Bartók Ballets, Saint-Saëns Complete Symphonies vol. 2, and Korngold’s Symphony in F-sharp
A can’t-miss album of Bartók Ballets, Thierry Fischer continues to do right by the symphonies of Saint-Saëns, and a spirited recording of the “last great symphony in the German Romantic tradition.”
Classical CD Reviews: Jurowski conducts Rachmaninoff, Yiddish Cabaret, and Russian Masquerade
Vladimir Jurowski’s new recording of Rachmaninoff’s Symphony no. 1 is a tightly-played, exciting reading; The Yiddish Cabaret’s only real offense relates to poor labeling; The transcriptions in Russian Masquerade are played with spunk and vitality.
Classical CD Reviews: “American Symphonies,” Anna Shelest plays Rubinstein, “The Romantic Piano Concerto vol. 76”
Anna Shelest’s new recording of piano-and-orchestra pieces by Anton Rubinstein is one of those albums that makes you want to rethink Rubinstein’s relative neglect in the broader canon – almost.
Classical CD Review: Vänskä’s Mahler Six, Harding’s Mahler Nine, Louise Farrenc Symphonies, Handel & Haydn Society plays Haydn and Mozart
Two Mahler symphonies, one sluggish the other intense, while symphonies composed by Louise Farrenc, Mozart, and Haydn are done right.
CD Reviews: Smetana String Quartets, 2018 New Year’s Concert, Haydn: An Imaginary Orchestral Journey, and Lindberg conducts Bernstein
Pražák Quartet’s Smetana is keeper, Sir Simon Rattle’s Haydn is a loser, and Lindberg’s “On the Waterfront” is a knockout.
