ASP
The intriguing notion of a down-and-out clown troupe struggling with a classic text propels this superb production.
We are a long way from the love-destroyed-by-hostility pieties of Romeo and Juliet, but Actors’ Shakespeare Project director Tina Packer wants to make Troilus and Cressida fit into that reassuring and earnest mold.
Arts Commentary: The Boston Symphony’s New Humanities Blueprint Makes Sense