American Repertory Theater
Pulitzer prize-winning dramatist Robert Schenkkan is chained to a dreary, fact-driven approach in “All the Way,” tossing in bits and pieces of “what if” for unconvincing dramatic effect.
Read MoreDespite its aura of “Gidget Goes Hawaiian,” and the profusion of cute props like rubber duckies and ukeleles, The Hypocrites’ production is smart enough not to mess (too much) with the original score and lyrics.
Read MoreThe luminous physical beauty of the production staged by the American Repertory Theater, coupled with carefully crafted performances by its performers, makes this a Glass Menagerie to be cherished.
Read MoreWhen this version of Pippin hits New York, it will be a welcome alternative to the trend among many of the current Broadway musicals to demote dance elements to the background.
Read MoreNervous mainstream audiences could breathe easy, the messy cultural ruckus of the ’60s was over: it was ok to find yourself in the suburbs.
Read MoreIn its program, the A.R.T. links today’s 1% with the French aristocracy, a stab at relevance that does both the snobby thugs of the French Revolution and the super well-off of today a disservice. Say what you will about the 1%, but they aren’t stupid.
Read MoreA.R.T artistic director Diane Paulus, entrepreneur extraordinaire, seems to have plucked impulse for character and meandering plot from a watered (down) idea of The Tempest.
Read MoreBoth productions play around with chronology in order to show the dark side of history, to unmask convenient illusions of social or personal well-being by juxtaposing the myopia of the past with the payback of the future.
Read MoreIn “Three Pianos,” three young actor-musicians unite in their irreverent passion for the music of Franz Schubert.
Read MoreAlong with its puppets and spectacle, “The Snow Queen” gives the audience a chance to become part of the action. Kids of all ages are invited to put down their electronic toys and enter a fanciful — rather than frenzied — theatrical world.
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