Amanda Forsythe
Boston Baroque served up a lithe and vital performance of the Messiah that felt rich, personal, and gloriously lived in.
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
I do not know how BEMF will ever top this. Bravo tutti!
This season’s three-week commemoration of the 400th anniversary of Shakespeare’s death – the first such thematic series of Andris Nelsons’ BSO directorship – go off to a compelling start.
Three new classical music albums: two are superior, one is a bit of a mixed bag.
BEMF’s double bill of two short and comic Pergolesi operas made for an unusual and totally delightful presentation.
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