Alyson Waters
Daniel Arasse’s method has been defined by his students as “looking, [taking] pleasure and [being] imprudent.” Any and every detail of a work of art can serve as his starting point.
Both of these novels about social corruption should be in every Occupy Wall Street library in the country: inequality is not a matter of fate but the result of an exhausted acquiescence to subterfuge.
The Annual Francis Davis Jazz Critics Poll at Mid-Year: Warming Up a Riff — How It Happened, and Why It Matters