album review
The composer leads a virtuosic debut recording of his Jorie Graham–inspired oratorio, whose striking invention is sometimes blunted by relentless intensity
A great cover does more than reproduce the original. Ndegeocello’s bold reinterpretations make the case for reinvention over imitation.
Singer Caroll Vanwelden’s “Shakespeare Revisited” brings a flexible voice and adventurous textures to the sonnets, but its melodies and production too often overwhelm the poetry.
Rebekah Heller’s new album celebrates the instrument’s power, agility, and surprising expressive breadth.
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