The domestic demolition in Kate Snodgrass’s script is served au flambé.
Adrianne Krstansky
Theater Review: “Every Brilliant Thing” — The Weight of the World
Adrianne Krstansky, a marvelous actress, understandably exhibits signs of the strain of having to carry the entire production on her shoulders.
Fuse Theater Review: “The New Electric Ballroom” — Life’s Stark But Beautiful Melodies
Like Samuel Beckett, Enda Walsh does not ignore the tenderness that flourishes, often under the duress of absurdity.
Theater Review: “Come Back, Little Sheba” — The Poignance of Repression
The beauty of David Cromer’s production of Come Back, Little Sheba that by focusing on the play’s intense psychological undercurrents he minimizes its cultural mustiness.