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[Updated.] Arts Fuse critics select the best in film, music, and theater that’s coming up this week.
Read MoreI do not remember disliking the characters in Anton Chekhov’s “The Seagull” as much as I did in this production.
Read MoreMost everyone has heard the faux-scandalous name. What has not been heard enough is that Pussy Riot are the purest and most potent expression of the punk-rock ethos ever.
Read MoreThrough July 29th, the MFA in Boston is presenting “Alex Katz Prints.” Time to take a look at Arts Fuse Critic Franklin Einspruch’s thoughts on the artist, posted about an exhibition of Katz’s paintings at the Farnsworth Art Museum, Rockland, Maine.
Read MoreA novel of echoes, reflections (sometimes inverted), and criss-crossing lines, Lance Olsen’s Calendar of Regrets locates nodes of intersection, spotlights the forgotten, and magnifies the unnoticed. Calendar of Regrets by Lance Olsen. Fiction Collective, 456 pages, $22. By Vincent Czyz Lance Olsen’s Calendar of Regrets had me from the opening scene: a vividly imagined and…
Read MoreAlice Rohrwacher’s film, which won the Grand Prix at the 2014 Cannes Film Festival, is a rarity — it is genuinely magical.
Read MoreA Hard Day’s Night stands as a landmark in rock history because it exemplifies the Beatles’s joyously innocent starting point — today it delivers an irresistible sonic joy that comes from listening to songs that still rock after fifty years.
Read More“Conservatism was his perspective, but William F. Buckley was really interested in having the other side on and having real discussions.”
Read MoreIn Available Light , Lucinda Childs’ dancers execute a series of movement phrases which to a viewer may seem simple, but in fact require intense focus and control on the dancers’ part.
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The Northman is grounded in a manically precise capture of the Nordic world of the 9th century AD, but refracted through the lens of a whacked-out visionary in a spew of eye-popping images.
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Holiday Commentary: Making Room for the Stranger