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The Just and the Blind sends a needed and powerful message — it is 2022, we need to wake up!
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Human Resources isn’t for everyone. It’s even weirder than Big Mouth (which is saying something), though this spinoff series still packs, at times, the same heartfelt punch.
Read MoreThe clips from both experimental and commercial cinema play well against the interviews from a group directors who are known for pushing boundaries.
Read MoreA wide swath of Belgian and American artists became interested in Courbet’s attention to the humble subject and his distinctive handling of paint. Mapping Realism examines how and whom.
Read MoreHidden among the screenings at this year’s Reelabilities: Boston Disabilities Film Festival are two strong tales of individuals overcoming incredible odds.
Read MoreDirector Eric C. Engel and the Gloucester Stage Company cast gives Fences an insightful and nuanced production.
Read MoreNot surprisingly, nearly half of the band’s 20-song set Thursday night was made up of “AM” songs. Despite the quality of the quartet’s first four albums, nobody seemed to mind.
Read MoreIs it sexist to feel the need to point out that the two best action/war movies in recent times have been made by a woman director?
Read MoreWhat carries Blue Jasmine over the moon is the breathtaking, Oscar-worthy performance of Cate Blanchett, whose tortured Park Avenue socialite on the skids is among the most stunning performances by an actress in years.
Read MoreThe Titanic Theatre Company production struggles with Christopher Durang’s superficial satire and manages to squeeze some laughs out of it.
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Visual Arts Commentary: John Singer Sargent — A Particular Sort of Loner