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by Bill Marx “If Borges is the writer who made Garcia Marquez possible,” observed Salman Rushdie, “then it is no exaggeration to say that Machado de Assis is the writer who made Borges possible.” Rushdie’s piggybacked history of the hemisphere’s premier intellectual ironists is correct but, at least until the last decade or so, Machado…
Read MoreWhich suppests the quandary at the heart of choreographer Lemi Ponifasio’s work. Can sophisticated political critique be made outside the bounds of narrative? Can a poetic work without directionality enacted in a setting designed to be beyond specific time and place create an environment for redress, for action, for change?
Read MoreIn his latest novel, John Updike explores the nature of faith through the eyes of a would-be terrorist.
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Words from George Orwell to live by: “To see what is in front of one’s nose needs a constant struggle.”
Read MoreA Man Called Ove‘s darkness and humor are balanced artfully, a merit one often sees in Scandinavian film.
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The stories in this collection are uneven, although to my mind the beauty and brilliance of the best outweigh the others.
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One comes away a trifle numb: in part due to the sheer number of films made; but in part both awed and terrified by Hollywood’s ability to use what were, for the most part, mediocre films to make the ravages of war not only so acceptable to the American public, but glorious.
Read MoreBrian Seibert’s history of tap dancing has unleashed something I can only describe as a tap world pissing contest.
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In the age of COVID-19, Arts Fuse critics have come up with a guide to film, dance, visual art, theater, and music — mostly available by streaming — for the coming weeks. More offerings will be added as they come in.
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CriticIsm Commentary: The Welcome Buccaneers of Arts Criticism
“Criticism will always have the force of the child in the story about the emperor’s new clothes, because there will always be naked emperors who everybody says are wearing today’s Crown Jewels.” — Eric Bentley
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