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There is plenty of comedy in this horror film: think A Midsummer Night’s Dream meets I Love Lucy.
Read MoreOver a 90-minute set Mike & the Mechanics touched a number of bases, all of them comfortable and familiar: Rousing AOR rock, soft rock ballads, retro-soul, and just a slight touch of Genesis prog.
Read MoreWalter is pure evil. Margaret is pure good. And that is Big Eye‘s undoing.
Read MoreBy Bill Marx Earlier this month, Horace Engdahl, permanent secretary of the Swedish Academy, stoked up the cultural consternation machine when he implied that American writers are too provincial to win the Nobel Prize for Literature. American literary life is “too isolated, too insular” he opines, its writers don’t translate particularly well and they aren’t…
Read Moreby Bill Marx The schizophrenia is instructive if somewhat dizzying. At the Calderwood Pavilion, the Huntington Theatre Company kicks off its season with “The Atheist,” a cynical exercise in scatological anti-heroism about a sleazy reporter who blackmails his way to fame. On its main stage at the Boston University Theater the HTC wallows in PG…
Read MoreBy J. R. Carroll Violinists are a fortunate lot. Granted, many years of painstaking study and practice are required to master the instrument, but once achieved, that mastery can be taken in almost any direction–or in many directions. As part of what she describes as her “never-ending quest for new vocabulary,” Mimi Rabson has headed…
Read MoreBy Thomas Garvey It hit me about halfway through the second act, when a shirtless Joe Wilson, Jr. slid down a rope and began to work a truly spectacular set of pecs: “Ain’t Misbehavin’” could be the horniest show I’ve ever seen in Boston. And Wilson is the horniest thing in it – in fact,…
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His beautiful sound is undimmed by time, his sensitivity to nuance is intact, and his choice of virtuoso partners was a delight.
Read MoreFuse Theater critics pick some of the outstanding shows of the past year.
Read MoreSelf-production, I think, is for artists who also are entrepreneurs who have a burning desire to get their voice heard.
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Visual Arts Commentary: John Singer Sargent — A Particular Sort of Loner