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The ART presents a staid production of Tennessee Williams’ talky chamber play about wanderers struggling to be released from their pain.
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Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
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Heard as a Miles Davis record pure and simple, Rubberband is one of the strongest from the comeback period.
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As these two films at the Wicked Queer Doc Fest indicate, being non-hetero-normative in a patriarchal society is unavoidably a political statement.
Read MoreDramatist Nina Raine probes the complex nature of tribal affinities, delicately examining how precariously communication depends on whether people listen to one another carefully, or not.
Read MoreThe indispensable octogenarian, Doris Lessing, continues to astonish with her latest books. “Time Bites: Views and Reviews” (HarperCollins) and “The Story of General Dann and Mara’s Daughter, and Griot and the Snow Dog” (HarperCollins) by Doris Lessing. By Harvey Blume When I interviewed Doris Lessing several years ago apropos “Walking in the Shade: 1949-1962,” the…
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Earwig taps into a diabolical Freudian cabinet of uncanny curiosities and symbols.
Read MoreThe End of the Tour don’t remain a hall of mirrors but become a bridge that conveys its subject’s honest, painful humanity.
Read MoreFor terrific viola playing and some fresh repertoire by familiar names, look no further than Antoine Tamestit’s Bel Canto.
Read MoreTwo new films explore the provocative premise that slavery in America didn’t end after the Civil War.
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