Search Results: too much ego client creative act interview 2009
Our expert critics supply a guide to film, visual art, theater, author readings, television, and music. More offerings will be added as they come in.
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Our expert critics supply a guide to film, visual art, theater, author readings, television, and music. More offerings will be added as they come in.
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From Mobile to Mars, from the mind of Robin Williams to the rise and fall of a Pez entrepreneur, and with a side trip to Newton South High.
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Despite its promising premise, Bess Wohl’s script is yet another wan exercise in genial domestic comedy.
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Our expert critics supply a guide to film, visual art, theater, author readings, television, and music. More offerings will be added as they come in.
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Made in China 2.0 is valuable as an act of theatrical witnessing, the voice of a rebel who is facing considerable challenges from the powers that be.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read More“There were times when I felt as if I were perpetually stuck, like in that film, ‘Groundhog Day,’ in the spring of 1992 just as Bosnia was careening into conflict. At one point I went to Sarajevo to visit friends and was relieved, indeed surprised, to find that while I had been re-living the war over and over, the city was gradually rebuilding and leaving the war behind.”
Read MoreThe wily Enrique Vila-Matas remains wary but respectful of Ernest Hemingway and asserts his independence by going on his own self-consciously vaudevillian way—Juan Gabriel Vásquez is too subservient to elude the shadow of Joseph Conrad.
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Dance Commentary: Trust Art, Not Theory
By Debra Cash A retrospective chronicles the four-decade career of radical dance giant Yvonne Rainer. Yvonne Rainer: Radical Juxtapositions 1961-2002 at the Carpenter Center for Visual Arts in Cambridge, MA What Rainer has been doing isn’t hard to see, as long as it isn’t theorized into academic incomprehensibility. Over time she has been called a…
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