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Move over Patrick Bateman, there’s a new axe-wielding psychopath for impressionable young cinephiles to project themselves onto in town.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read MorePascal Garnier’s characters slip through cracks, cross borders, pass through the thin mirrors of the self, and commit irreparable acts.
Read MoreIn its day, Ingagi raked in the crowds with a promise of weird African animals and “wild” women, and a teasing of bestiality.
Read MoreInevitably, by recasting Petra von Kant as a version of Rainer Werner Fassbinder himself, François Ozon has rendered the film self-consciously cinematic.
Read MoreWhat a cruel hoax: the middle class suburban lifestyle, a proud achievement of postwar America and the envy of peoples throughout the world (in no small part due to Mad Men glamorization), contains the very seeds of our demise. If demise is where this is heading.
Read MoreAmy Winehouse’s death was certainly a tragedy, but not one that moves us to pity and terror in its retelling as a morality tale spun from home movies.
Read MoreIf you like your films “weird, sexually provocative, and intellectually stimulating” (add violence to the mix) then our critics will feed your appetite splendidly.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
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Film Commentary: Blink a Bright Red and Green — “Carol’’’s Holiday Charm
A guide to the symbolic color odyssey that will keep you on your toes if you choose to see Carol more than once (and I’m thinking you will).
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