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The Arts on the Stamps of the World — March 20

March 20, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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Poetry Review: “Breathturn into Timestead” — A Magnificent Guide to the Enigmatic Poetry of Paul Celan

February 25, 2015
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Once you have wrestled with Paul Celan’s poetry, you may find yourself with a changed and sharpened sensibility to image and language.

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Film Interview: Penny Lane and Thom Stylinski Go “Nuts!”

July 23, 2016
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What are documentaries supposed do . . . and not do?

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Book Review: Oliver Sacks’ “On The Move” — A Mix of the Distant and the Intimate

May 20, 2015
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Oliver Sacks’ On the Move is an absorbing, idiosyncratic, often moving memoir.

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Theater Review: Arthur Miller’s “Broken Glass” – A Boston Premiere For An American Master

September 14, 2015
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The New Repertory Theatre is paying homage to Arthur Miller’s centennial with a superb staging of one of the dramatist’s later works, Broken Glass.

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August Short Fuses — Materia Critica

August 1, 2025
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.

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Book Review: “Drawing the Line” — How to Respond to “Immoral” Artists

January 4, 2022
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Drawing the Line is grounded in the work of ethicists and psychologists. Its prose is clear and its arguments systematic. But every avenue of investigation only opens up another pathway that ends as a cul-de-sac or doubles back on itself.

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Arts Commentary: Pestilence on Stage, Part Two — “When the Impossible Really Begins”

April 9, 2020
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Theater is seen as a cleansing illness that sets out to obliterate the illness we blithely accept as health.

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Theater Commentary: “Trumpismo avant la lettre” and the Elliot Norton Awards

May 22, 2017
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Hypnotized by celebrity and the monied class, our stage critics have become a gaggle of cheerleaders, feckless enough to call Diane Paulus a “visionary.”

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Flipping a Coin: The Significance of Anna May Wong’s Quarter

February 4, 2023
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What emerges from even a cursory study of Anna May Wong’s life is that her complexity and depth were rarely acknowledged but she used her intelligence to control the narrative as much as she could.

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