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Oh, it’s a strange world, ballet — filled with rituals and practices that Mary Jane Doherty captures with sharp-eyed grace.
Read MoreAugust Strindberg’s work unquestionably has not received the degree of popular acclaim in America that it deserves. It’s a bit mysterious, given that major U.S. playwrights — Eugene O’Neill, Edward Albee, Tennessee Williams — have openly acknowledged their debts to Strindberg.
Read MoreBeyond a few superb works, the panorama of flesh proves to be oddly enervating.
Read MoreEach month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Read MoreKellen Gray and the Royal Scottish National Orchestra continue its mission of bringing vital music to life; the Neave Trio releases an album of gems, a survey of piano trios by four women.
Read MoreEssayist Isaac Fitzgerald sees the world from the perspective of someone who was victimized — in his case, by a physically abusive father and a needy, emotionally abusive mother.
Read MoreThe Romanian director has crafted a grueling fable about hate, lies, and misinformation in a small Transylvanian town.
Read MoreThese pieces are an intellectual challenge to the listener as well as a sensual pleasure. They should send saxophonists back to the practice room.
Read MoreNew Fries’ latest effort never fails to stimulate: the band has crafted a record that challenges the idea of what a pop song is and can be — in two very different ways.
Read MoreWhen in doubt, lean towards letting the world in, advises Fontaines D.C.. It’s scary. In fact, you will probably be terrified most of the time. But do it anyway. With eyes open.
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Holiday Commentary: Making Room for the Stranger