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As a legacy sequels “Happy Gilmore 2” one isn’t a hole-in-one, but it doesn’t roll into a sand trap either.
Read MoreHappily, the composers on this compelling BMOP program were not cowed by tradition.
Read MoreThe enthusiastic spirit of “Lost Soulz” is appealing enough to make what feels like two different types of movies sutured together dramatically satisfying.
Read MoreSir Simon Rattle revisits the music of Benjamin Britten and Elim Chan once again draws on her remarkable ear for detail.
Read MoreGeorge Li’s latest release showcases a budding artist with a growing command of musical structure, technique, and character; Bruce Liu’s got the measure of Erik Satie’s music — next time, perhaps, he can take on more of it.
Read MoreThe breadth and intimacy of “Origin”‘s vision — the personal becomes the historical — is stunning, a searing portrait of collective trauma and the dark ideas that propel it.
Read MoreThis was an epic performance of an epic piece, steeped in Brucknerian character.
Read MoreLet’s experience college nostalgically and vicariously, with this pick of the best college movies of the last 35 years.
Read More“We are in a time that challenges each of us running arts organizations to revisit and reaffirm our institution’s core existential purpose: why are we here? What do we do, and why does it matter?”
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Holiday Commentary: Making Room for the Stranger