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After having diagnosed the ails of modernity, screamed out his most deeply held traumas, and shrugged off his role in the biggest band ever, John Lennon is content to have a riverside cuddle under a tree in the sun with the woman he loves. Amen.
Read MoreMark Greif’s analyses can be sharply counter-intuitive..
Read MoreUnlike the rock star supporters of Pussy Riot, Garry Kasparov lives in Moscow, which means, given how the Putin regime has dealt with critics, he has a lot more to fear than, say, Madonna, who nevertheless should be applauded for speaking out at her Moscow concert.
Read MoreActor Jack Koenig never flags in the Peterborough Players production of “Present Laughter,” and around him in his London studio-flat swirls a churning world of impertinent employees and past and present loves that would do Kaufman and Hart proud.
Read MoreThere’s no question the Beatles come out of John Higgs’ superb book Love and Let Die looking far better than James Bond. Love tends to play better than death and it’s easier to root for working class underdogs than Establishment snobs.
Read MorePerhaps director Marielle Heller decided that “Nightbitch”‘s unusual premise had to be balanced with a decorous storytelling trope.
Read MorePenobscot Theatre Company is staging Monica Wood’s moving and thoughtful play about a real life labor dispute in Maine.
Read MoreMost of the time, Actors’ Shakespeare Project’s production of Macbeth is compelling.
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CriticIsm Commentary: The Welcome Buccaneers of Arts Criticism
“Criticism will always have the force of the child in the story about the emperor’s new clothes, because there will always be naked emperors who everybody says are wearing today’s Crown Jewels.” — Eric Bentley
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