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Novelist Dan Jones excels in re-imagining the life of common people in wartime, in particular a small group of English fighters embroiled in the so-called Hundred Years War (1337–1453) between England and France.
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Paul Fisher’s back-and-forth tease about John Singer Sargent’s sexuality starts out as intriguing, then becomes distracting, and finally irritating as the biographer never quite closes in on his targets.
Read More“The Boston theatre community can always profit from international influx. The German theatre scene in particular is quite innovative both in the plays being written and the productions that reach the stage.”
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Whatever else 2024 has in store for queer filmmakers and audiences, there’s likely to be nothing else that’ll put a smile on your face quite like “The People’s Joker.”
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Our expert critics supply a guide to film, visual art, theater, author readings, television, and music. More offerings will be added as they come in.
Read MoreChick Corea and Gary Burton were celebrating their recent disc, “Hot House,” which they said was meant to recall the sixties, when the two were starting their careers. But the sixties were never quite like this.
Read MoreThe Lyric Stage Company of Boston’s production can’t quite get its arms around all of the varied elements in this exhilarating musical, but some terrific performances make up for other weaknesses.
Read MoreBEMF is, quite simply, paradise for those who love early music, and they seem to be a different audience than those who show up for, say, the Boston Symphony or any of the excellent chamber music groups around town.
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Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
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Theater Commentary: Can Audiences Rescue Theater Criticism?
Will working with audiences encourage stage companies and theater artists to go beyond the status quo? Or just cement them into their sweet spots?
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