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Preoccupied with the little melodramas of their lives and their careers in the arts, the characters in”Afire” put off acknowledging the gathering disaster that might end up at their doorstep.
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This is an invaluable gathering of interviews, an impressive excavation of institutional memory that not only recognizes the MFA’s grandeur but its many deficiencies as well.
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As serious a musician as he is, and as virtuosic as he can be, the naturally extroverted Christian McBride knows how to entertain, a talent generously evident in this live performance.
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At the very least, Ionesco’s drama about the unreality of the world should produce shudders as well as chuckles.
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Hub Theatre’s virtual production of Much Ado About Nothing recognizes Zoom’s potential for farce and leans into it: this is a rollicking delight of a show that refuses to take itself seriously, to everyone’s benefit.
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AntigonX shows how a theater company’s admirable dedication to innovation lifts new voices and ideas.
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According to Sarah Kendzior, “we have a transnational crime syndicate masquerading as a government.”
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Ethan Mordden’s exhaustive take on Barbra Streisand may not be what diehard fans are looking for.
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Rams is a documentary film carefully crafted to be more than a biography of a great designer.
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I would have preferred a more reflective, in-depth account of becoming a man in 2020, but Becoming A Man is an informative, fast, and fascinating read.
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Arts Commentary & CD Reviews: On The Kennedy Center, Ben Folds, & Gustav Mahler