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In “The Flick,” Annie Baker creates youngish characters that my students at Boston University would call “relatable,” exploring how self-delusions, stereotypes, and fear keep them from connecting in a meaningful way.
Read MoreThough written in 1984, The House of Jasmine’s description of widespread political corruption and social decay in the Sadat era is powerfully relevant to the uprisings of 2011 when Mubarak was ousted and that are still roiling Egypt today.
Read MoreBoston Ballet’s staging of James Kudelka’s version of “Cinderella” is not just another exercise in transforming a sad drudge into an airbrushed tootsie.
Read MoreThis brilliant film is both an intriguing commentary on the nature of performance and a frightening allegory about how technology, at the service of our worst fantasies and urges, is capable of destroying our humanity.
Read MoreTwo books that deal with different rituals of autumn.
Read MoreBe there for the birth of The Arts Fuse awards for outstanding contribution to the arts in New England.
Read More“In Their Names” argues that the best way to help victims of crime is to create circumstances that will diminish the chance that they will become victims again.
Read MoreNew England’s oldest continuously-active opera company brings to Boston a rare performance of one of Tchaikovsky’s less-familiar operatic scores.
Read MoreBy Bill Marx Much new material since the October update for those with an interest in international literature. My latest podcast features an interview with journalist and author Justine Hardy, whose latest book (published by the Free Press), “In the Valley of Mist: One Family in a Changing World,” continues her exploration of life in…
Read MoreBy Harvey Blume If you want to get a glimpse of a Joseph Stalin you likely had never conceived of before, just turn to the mug shot taken of him by Tsarist police in 1912 or some of the other photos in Sebag Montefiore fascinating, radically revisionist new biography Young Stalin. This Stalin is no…
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Arts Commentary & CD Reviews: On The Kennedy Center, Ben Folds, & Gustav Mahler