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Poet Mel Kenne, like a desert ascetic, has pared away everything that is not essential -— no words have been wasted in the making of this collection.
Read Moreby Gary Schwartz Albrecht Dürer, Erasmus, 1521 The recently closed exhibition Images of Erasmus at the Boijmans Van Beuningen Museum in Rotterdam rightly introduced Hieronymus Bosch into Erasmus’s sphere. Here are some unsuspected truths – well, at least possible truths – about the two of them.
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An impressive series of performances that are not for the faint-of-heart.
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Violist Timothy Ridout’s new double-album “A Lionel Tertis Celebration” is heartily recommended; soprano Asmik Grigorian’s “Laws of Solitude” not so much.
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The album’s message about the triumph of A.I. is unconvincing, but the music, with its variety of sounds and tempos, its zigzaggy shifts, written and improvised, is totally engrossing.
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The music on David Murray’s” “Francesca” is both antic and intense; it’s played by a responsive and inventive quartet who sound like they are having considerable fun entertaining themselves.
Read MoreFilms such as Hansel and Gretel: Witch Hunters deny audiences the capacity to suspend disbelief. Instead, they use technology to make the impossible look real and the magical seem as this-worldly as an old screen door.
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Music Commentary: Jean Sibelius’s Violin Concerto — The Universal Concerto?
Sibelius’s Violin Concerto is almost something of a phenomenon now: in just eight months, I’ve heard it played by three different fiddlers — Baiba Skride, Lisa Batiashvili, and Inmo Yang.
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