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Before this turns into too much of a love fest, I should point out that Paul McCartney really needs to work on his between song banter.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read More“Dance/Draw” at the ICA is a major exhibit about how moving bodies leave traces, what curator Helen Molesworth, not particularly originally, calls the “afterlife of dance.” To a lesser extent, it’s also about how visual artists think about motion when they’re not focused on particular bodies.
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We have the satisfying conclusion to a series that proved episodic dramas can — in fact, should — grow in depth past their first season.
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Survival is the primary motivation, and the film’s unrelenting series of unexpected attacks generate considerable tension.
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These are compelling stories about the trials and tribulations of dynamic, working-class characters.
Read MoreObservers have often commented that NEA money goes disproportionately to large cultural institutions, and that continues to be true, but those investments are dispersed among disciplines and geographies.
Read MoreTo my ears, the Boston Symphony Orchestra—supplemented by saxophones, guitar, and mandolin—sounded overblown and unbalanced, oddly tinny at times (perhaps because of the amplification), glorious at others.
Read MoreYou leave the matrimonial musical “I Do! I Do!” humming its banalities.
Read MoreWar is hell, as the Boston Phoenix theater critic Carolyn Clay would have it, but she doesn’t seem to realize that the inferno is a moving target. And it is the diminishing capacity of contemporary American theater to imagine violence and its effects that interests me most about the Huntington Theater Company’s current revival of…
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Holiday Commentary: Making Room for the Stranger