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Lots of artists made recordings during their lockdowns that have been released as vinyl, streams, videos and, in the case of the Attractors and Flying Vipers, even cassette tapes.
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Perhaps what’s most fascinating here is proof that Brenda Withers’ play has an evergreen quality to it. “The Ding Dongs” may prove to be prophetic.
Read MoreDirector Asghar Farhadi’s most stringent judgments generally fall upon members of his own sophisticated, worldly cohort.
Read MoreThe swinging pendulum of Kerry James Marshall’s work keeps us off balance.
Read MoreArts Fuse critics select the best in music, film, theater, and author readings for the coming week.
Read MoreArts Fuse critics select the best in film, theater, dance, music, visual arts, and author events for the coming week.
Read MoreArts Fuse critics select the best in music, film, dance, author events, and theater for the coming week.
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Us is a comic-horror allegory about the revolution of the underclass.
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Abigail C. Onwunali’s powerhouse performance is memorable, but the mechanics of Mfoniso Udofia’s play don’t always match the lead’s boundary-stretching strengths.
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“Poor Things” is a film in which the set designers are as much the auteurs as the director, to the detriment of the pathos that is at the heart of Alasdair Gray’s novel.
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