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The men are portrayed as comically irrelevant — and this is refreshing given the phallocentric alpha-male angst that has been TV fodder so often before.
Read MorePerhaps most remarkably, BSO conductor Stéphane Denève managed to create an atmosphere in which the Symphony Hall audience, which at this time of year sometimes sounds like it’s made up of inpatients from a tuberculosis ward, was utterly captivated: even the quietest moments were accompanied by a welcomed, attentive silence.
Read MoreTwo looks at sculpture as architecture and architecture as sculpture.
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Of course, there can be no happiness in America without lots of corporate support.
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A revival of Anna Ziegler’s absorbing and enlightening study of the brilliant British biophysicist Dr. Rosalind Franklin.
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The Villains’ Supper Club supplies an engaging and funny twist on the superhero mythos, plus a smart, refreshing look at the tribulations of working mothers.
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M.I.T.’s Sean Collier Memorial does not make a full-bodied artistic statement — it does not elicit a strongly felt aesthetic or visceral reaction.
Read MoreThe Boston Early Music Festival’s production of Monteverdi’s final opera, L’incoronazione di Poppea, is not to be missed.
Read MoreHad they not had interesting and flourishing careers already in place, Elizabeth Schumann and Gloria Chien could give many full-time piano duos a run for their money.
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Visual Arts Commentary: Street Furniture — The Dilemma of Making Urban Spaces Comfortable and Unique
The City of Boston needs to think seriously about maintaining its distinctive charm, and street furniture is a very powerful tool to that end, when strategically applied.
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