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The Finest Hours gives the audience two hours of fast moving, visually pleasing, easily digestible entertainment.
Read MoreDon’t you just love the holiday season? It’s the time for the release of big budget flops and Oscar wannabes.
Read More“Lon Chaney is just a master,” says Roger Miller of The Alloy Orchestra, “and the film ‘He Who Gets Slapped’ has everything that he’s great at.”
Read MoreWhether Elton John aimed to appeal to a new demographic or simply wanted to cross “host SNL” off his bucket list, it was clear from the beginning of the show that he would be a charming, committed host.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
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“American Excursions” manages — and in a brisk fifty-nine minutes — to provide an impressive degree of racial, gender, and stylistic diversity.
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This Netflix series is a wittier, sassier, Spanish version of “Bridgerton”.
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Now that the pandemic dust has settled, Dalia Davis’s album warrants excavating and shining a long-awaited spotlight on.
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Pianist Yunchan Lim struck an arresting balance between thunderous drama and filigreed lyricism as he tackled Rachmaninoff’s knuckle-busting score.
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Ten years on, Andris Nelsons’s retains his remarkable gifts for expressing the raw power of music with dazzling panache.
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Visual Arts Commentary: John Singer Sargent — A Particular Sort of Loner