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Theater Review: “When January Feels Like Summer” — Love and Transformation

November 1, 2016
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The more we learn about Thomas’ characters and their lives, the more we like them and root for them.

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Visual Art Review: Public Art at Boston’s Fenway Neighborhood’s Pierce Boston Tower

March 31, 2018
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A lost opportunity for the developers, arquitectonica, and artist Alexandre da Cunha.

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The Arts on Stamps of the World — August 12

August 12, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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Album Review: William Bolcom’s Complete Rags — Fantastically Inventive and Rigorous

May 28, 2022
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This is the definitive recording of William Bolcom’s rags, complete or excerpted: a triumph for the pianist and the composer – as well as a grandly spirited, accessible, inventive journey for any who care to join them on it.

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Classical CD Reviews: Three of the Nineteenth Century’s Greatest Quintets

November 30, 2012
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Chamber music fans will know that the current season will be the last for the extraordinary Tokyo String Quartet (TSQ), which opted to disband rather than replace retiring violinist Kikuei Ikada and violist Kazuhide Isomura.

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Culture Vulture: High-Energy ‘Richard III’

August 24, 2010
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Reviewed by Helen Epstein I saw Shakespeare & Company‘s excellent production of Richard III in Lenox, MA last weekend (through September 5 at Founders’ Theatre), with an exceptionally strong ensemble that was kicked into high gear by a high-energy performance from John Douglas Thompson in the title role.

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KEEP THE ARTS FUSE LIT! — Our Winter Appeal

December 21, 2020
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Please take this opportunity to make a difference for a magazine that is committed to sustaining the future of the arts in this country.

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Visual Arts Review: “Graciela Iturbide’s Mexico” — Casting a Coolly Warm Eye on Life and Death

February 11, 2019
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In Garciela Iturbide’s photographs, the living and the dying are often joined at the (exposed) skeletal hip.

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Film Review: “WHITEY” — Rat or Robin Hood? Whitey in his Own Words

June 22, 2014
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By the end of the documentary, you’re in no doubt that Whitey Bulger was beneath dignity. Though not in his own eyes. There’s even vanity left in a crook who trims his white beard so scrupulously.

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Book Review: Polish Poet Czesław Miłosz — Master of the Telling Detail

May 13, 2017
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For a reader without the reference points of mid-twentieth century Lithuania and Poland, this deeply researched biography can be a slog.

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