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Septuagenarian, Edwin Ayoung, better known as Crazy, easily carried the rest of the night with his exuberant performance.
Read MoreFlawed and perhaps overwrought, The Whipping Man is worth watching because of the intensity of its individual scenes.
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Biographer Robert S. Bader is an engaging writer and meticulous researcher. And handy here, he’s able to be tactful, but not forgiving, when describing lousy human behavior.
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Bruna Dantas Lobato’s sensibility is unmistakably original: she explores her protagonist’s life and surroundings like a dowsing rod, poking into closets, corners, and cupboards.
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Violinist Augustin Hadelich and pianist Orion Weiss prove that there is plenty of music written on these shores to explore, especially when you are not limited by region or style. Soprano Karen Slack and pianist Michelle Cann demonstrate the strength of Florence Price’s songs and arrangements.
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Atung and Moy have a lot to say about American history and culture — acutely informed by the playwright’s 21st century sensibility and identity politics.
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Our expert critics supply a guide to film, visual art, theater, author readings, television, and music. More offerings will be added as they come in.
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But, amidst all this excitement, there was an undertow of concern in the crowd at this year’s IRNE Awards.
Read More“Everything about the Holocaust already seems so thoroughly unreal, as if it no longer belongs to the experience of our generation, but to mythology…”
Read MoreArts Fuse critics select the best in music, film, theater, visual arts, author readings, and dance that’s coming up in the next week.
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The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues