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Film Interview: Oscar Isaac on “Inside Llewyn Davis”

December 16, 2013
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There was a moment when I turned around and thought, ‘I am definitely in a Coen brothers movie. This is crazy.’

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CD Reviews: Jeremy Denk’s Goldberg Variations, Jan Vogler’s Dichterliebe, and Hélène Grimaud’s Brahms Piano Concertos

September 24, 2013
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A knockout performance from pianist Jeremy Denk, cellist Jan Vogler exudes a strong poetic sensibility, and pianist Hélène Grimaud’s Brahms Concertos are a mixed bag.

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Fuse Feature: Writer Carlos Fuentes — A Personal Remembrance

May 20, 2012
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As sorry as I was to lose Mexican writer Carlos Fuentes last week, I was nonetheless deeply pleased that he reached the age of 83. I almost killed him when he was 37.

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The Arts on the Stamps of the World — April 2

April 2, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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The Arts on Stamps of the World —October 5

October 5, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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Poetry Review: Joanna Fuhrman’s “Data Mind” — The Algorithm That Ate America

January 25, 2025
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“Data Mind” contains a spiritual blessing — it teaches us how to praise life in a universe that is so broken it is determined to erase our humanity.

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Podcast Review: “CHECK YOUR HEAD: Mental Help for Musicians”

February 20, 2021
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It is vital to take into account the pivotal role that money, politics, and racism play in the availability and efficacy of mental health services.

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Classical Concert Review: The Discovery Ensemble at Jordan Hall — A Group That is Growing Strong and Fast

April 16, 2014
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The Discovery Ensemble’s precision was also on full display in the vigorous contrapuntal writing that came across with impressive, electrifying energy and visceral punchiness.

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Classical Concert Review: The Boston Symphony Orchestra — A Searing Rendition of Benjamin Britten’s “War Requiem”

November 11, 2013
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In sum, this was one of those rare concerts in which everything clicked, musically and dramatically.

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Book Review: “The Devil I Know” — A Brilliant Satire of Ireland’s Boom and Bust

February 3, 2014
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Claire Kilroy’s dark and fantastical comedy “The Devil I Know” nails the greed and rampaging ambition of the corrupt avatars of “the new Ireland” — developers, bankers, and government pooh-bahs.

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