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Akademie für Alte Musik Berlin’s pairing of Beethoven with Knecht is intelligent, programmatically and musically, but Thierry Fischer’s Symphony fantastique is a disappointing misfire.
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Arca’s first solo foray into pop music is as infectious as it is strange.
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Gibney’s volume offers a wide range of readers with an introduction to the complexities of Irish history, including questions of what exactly constitutes the national history itself.
Read MoreThe return to the standard repertoire, which, since January, has been the orchestra’s primary focus, is safe, unassuming, and (potentially, at least) creatively stifling.
Read MoreGiven how rarely “Henry VIII” is staged, any Shakespeare enthusiast worth his or her salt should definitely take in this uneven production.
Read MoreCormac McCarthy’s rambling but brilliant screenplay is given vigorous direction by Ridley Scott, whose elegant visual style captures the tense downward spiral of the film’s doomed characters.
Read MoreSkylar Gudasz’s deep voice is well suited to the gorgeous melancholy that pervades her songs.
Read MoreThree new classical music albums: two are superior, one is a bit of a mixed bag.
Read MoreThe End of the Tour don’t remain a hall of mirrors but become a bridge that conveys its subject’s honest, painful humanity.
Read MoreTheo Jansen’s kinetic sculptures delightfully blur the conventional lines that divide art, science, and storytelling.
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