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The band has tackled the Trump era with an urgent political edge on two recent albums that have surely lost them a share of good ’ole boys who were part of earlier audiences.
Read MoreA Man Called Ove‘s darkness and humor are balanced artfully, a merit one often sees in Scandinavian film.
Read MoreHow should artists live under autocracy? A Cold War Polish poet doesn’t have good answers, but offers chilling advice.
Read MoreThe best way to honor all of those responsible for the Allman Brothers Band was to play like the Allman Brothers Band: be fierce, not nostalgic; be pleasing, not cloying; be generous, not self-indulgent. And The Brothers pulled it off.
Read More“Parade”‘s power does not lie in its mystery or its revelations of combat. The work, as artist Si Lewen lays it out, surveys the absurd pomp and horror of war.
Read MoreWho knew that a fungi could be so inspirational?
Read MoreArts Fuse writers continue their countdown of great music celebrating its 50th anniversary this year. This month’s list includes such big names as Bob Dylan, ZZ Top, The Who, The Beach Boys, and George Rochberg.
Read MoreBy Thomas Garvey Michael Haneke may be the only living director who really matters, but you might not guess that from “Cache” (“Hidden”), the new film that has finally brought the brilliant Austrian auteur some serious media attention. It’s far easier, actually, to guess from “Cache” why he’s suddenly a press darling: the film treats…
Read MoreThe Cake is a smart, stinging, and eerily timely comedy that feels timeless.
Read MoreThere was a good energy to the depiction of movie-Woody’s nocturnal odyssey, and a few funny bits.
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