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“South Pacific” endures in this production (and will in others) because it centers on two love stories that are “lovely beyond description.
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It’s as if Moshfegh is testing the furthest limits of a “red herring”: what if everything is red and everything is herring?
A varied buffet of fresh musical experiences from recent decades and from the mid-1700s.
Read More“There is a struggle in love in the best of circumstances, and when on top of the daily challenges there are divisions of culture or society or simply of invented categories – well, that does make it all the harder.”
Read MoreI will continue to watch Wenders’s Pina, over and over—but nothing can replicate being in the room with the real deals.
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You either go full Hollywood CGI, or you pare it down to the poetry of it.
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The Ruins of Ani illuminates one of those rare places that leaves visitors feeling they might have to dust off the word mystical to describe the experience.
Read MoreIt turns out that budding arts writers are anxious to learn how to master the demanding nuts and bolts of reviewing, especially given how few examples of first-rate criticism can be found in the increasingly all-thumbs mainstream media.
Read MoreAccording to former WGBH Jazz DJ Steve Schwartz, “In retrospect, the writing was on the wall. About a year and a half ago, our shows were cut by an hour; before that, we were told we could no longer use the names of our shows or our theme songs.”
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The story of this album is that violinist María Dueñas enters as a star but emerges as a brilliant and preternaturally thoughtful artist.
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The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues