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Poetry Review: “One Hundred Visions of War” — Haiku in No Man’s Land

December 1, 2022
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This is a grim and uncomfortable book to read because it forces us to contemplate each small poem separately and then take them all together, a hard but necessary exercise.

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Book Review: Mona Simpson’s “Commitment” — E for Effort

April 3, 2023
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Another installment in the author’s portraits of everyday struggles — and this one is a long-winded, shaggy affair.

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Weekly Feature: Poetry at The Arts Fuse

December 7, 2023
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This week’s poem: Kevin Gallagher’s “In the Boroughs of the Nightmare.”

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Film Review: “About Endlessness” — A Profound Vision of the Beauty of Loss

April 29, 2021
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About Endlessness’s deadpan combination of sadness and rage feels complete, as if the master dropped the mic before leaving the building after the final edit.

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Television Review: “Chucky” — The Doll’s Foul Play Continues

October 21, 2021
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Syfy’s latest iteration of the killer doll remains as campy and violent as ever.

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Movie Commentary: Handicapping the Oscars

January 17, 2014
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The nominees for Best Picture are a deserving lot, except for “The Wolf of Wall Street,” which is a bloated mess of a movie that is an hour too long .

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Opera Review: ‘Carmen’

November 14, 2009
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By Caldwell Titcomb The Boston Lyric Opera (BLO) is currently offering Georges Bizet’s “Carmen,” his last completed and finest opera, which had its delayed and unsuccessful premiere in 1875. According to Opera America, “Carmen” ranks No. 4 in the list of most performed works from the 1880s to 2005, surpassed only by Puccini’s “Madama Butterfly”…

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Movie Review: “The Ides of March” — Even with George Clooney, It’s Politics as Usual

October 8, 2011
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“The Ides of March” tells the same old political story: we know how tedious the campaign season is, we know that deals are made behind doors and that all that really matter are the numbers.

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Fuse Theater Review: The Tennessee Williams Theater Festival Turns a Healthy Six

September 26, 2011
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The quality varies at the TWTF, but here is a chance to become aware of rarely done Williams plays. And if a production does not measure up to one’s expectations, the effort will inspire a few sturdy directors to try their own hand at these and other texts of America’s most eloquent poet-playwright.

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Blues Album Review: John Hurlbut and Jorma Kaukonen’s “The River Flows”

December 8, 2020
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These tunes are not just good to listen to, but also serve a purpose by sending a message, whether it be to raise a voice in protest or entice reflection.

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