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A homage to Jack Bruce, thundering dynamo of the bass guitar, singer of unmatched power and clarity, coequal with Clapton at the helm of the supergroup Cream.
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Fostering collaboration between artists and scientists is a wonderful educational and creative endeavor. Kudos to the Umbrella Arts Center for taking on such a complex and ambitious project.
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“Bad Things” tries out a lot of ideas, many of them good, but a crisis in identity results in slapdash execution.
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The new Broadway revival of Kiss Me, Kate removes much of the objectionable material — and a lot of the fun
Read MoreEach piece is so different from the others in Shades of Sound that the evening provides something for everyone, giving the company a chance to showcase its phenomenal technique.
Read MoreAt the invitation of AF editor Bill Marx and at the risk of further delaying my observations on the New World Jazz Composers Octet, I’m straying from the jazz beat to offer some words on ArtsEmerson’s presentation of Aftermath at the Paramount. The regrettably short run of this New York Theatre Workshop production (October 27–31) will…
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MassOpera’s updated version of Die Fledermaus pulls off a major feat.
Read MoreJoey Alexander is more than a mere prodigy; he is closer to a freak of nature, a fully formed jazz virtuoso.
Read MoreThe disc offers a rewarding look at the work of four local composers and also showcases the members of Radius Ensemble in a warm, winning light.
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The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues