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Our expert critics supply a guide to film, visual art, theater, author readings, television, and music. More offerings will be added as they come in.
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Paisiello, one of the most successful opera composers in Mozart’s day, offers repeated delight and surprises in this entertainment, thanks to a splendid cast of mostly youngish singers.
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It turns out that singer Jessica Vosk’s personality is just as big and colorful as her voice. Add to that her zigzagging brand of comic spontaneity, and you had an evening filled with joyous holiday spirit.
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Once again, critic A.S. Hamrah sheds perceptive light on our cinematic malaise.
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This well-done mystery supplies an insightful look at how money, politics, and religion have become intertwined—and where that may be taking us.
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Returning musicals take another shot at success – with very different outcomes.
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This is poetry that sets its goals, finds the right language to reach them, hits hard, and recovers an ancient purpose for verse that has fallen by the wayside in recent times: consolation.
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The themes of “Lizard Boy” would land more squarely—and more powerfully—with a teenage audience than they can with those of us who can only recall such a time in our lives.
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Literary critic Malcolm Cowley’s in-the-trenches vision of modernism deserves to extend beyond the halcyon epoch he witnessed — a case made splendidly by Gerald Howard’s biography.
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Arts Commentary: Rich in Creativity — But Nothing Else
Predictably, when you get to the discussion of money, honey, the rubber hits the road.
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