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Paul Muldoon is anxious to file dispatches from the front lines of Our Lives Now. That is one of the characteristics that separates him from most other poets writing today.
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“Plays about climate are notoriously difficult , not only because the science is complex and has become politicized, but also because audiences don’t flock to work that shows us the terrifying realities of our world.”
Read MoreI can’t understand why people are frightened of new ideas. I’m frightened of the old ones. — John Cage to Richard Kostelanetz, 1988
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
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After rewatching What Did Jack Do? a few times, I still don’t really know what the hell I saw. But I decided that I don’t care, because I kept laughing my ass off anyway.
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In more pedantic hands, Little Dancer Aged Fourteen could easily have been a tedious and frustrating read. Instead, despite the dense and ultimately inconclusive source material, the book is continuously fascinating.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read MoreNick Payne’s fascinating Constellations takes the cosmic paradoxes of time head on.
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It is always a pleasure to see Ibsen on stage, but this production of one of his masterpieces is generally humdrum.
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The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues