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This is clearly a version of Paris written by ignorant Americans for ignorant Americans.
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Black + White from the Fernanda Ghi Dance Company was provocative, dramatic, and oh-so-mysterious.
Read MoreThis production of Charley’s Aunt has the rhythm of a Mozart operatic finale — all the parts contribute to a dizzy harmony.
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Two stirring dramas hit Broadway, one weightier than the next
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This album offers a Baedeker of pianist Ran Blake’s cinematic effects, the mis-en-scene for a narrative musical imagination unlike any other.
Read Moreby Caldwell Titcomb Time was when Boston had a City Censor, and books and plays drummed up trade by getting “Banned in Boston.” The Boston Modern Orchestra Project, headed by conductor Gil Rose, came up with the deliciously punning title “Band in Boston” for its Jordan Hall concert on January 22. Indeed there was not…
Read MoreA manipulative entertainment that sets out to confuse theater and therapy.
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“Arts Fuse” theater critic Christopher Caggiano, among others, found that the new Broadway musical “Water for Elephants” “has very little going for it.” Let’s agree to disagree
Read MoreThe actors’ infectious energy and absolute dedication to imaginative play-acting help make Arabian Nights spellbinding.
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Beethoven never left Europe. But he could have. And the possibility that he might have visited Boston is the basis of Paul Griffiths’ touching, witty, and thought-provoking new novel.
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The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues